CueSync vs Manual Timecoding
Manual timecoding means hours of pre-production for every show. CueSync listens to the music and automates cue execution in real time — zero prep after initial setup.
Feature-by-Feature Comparison
| Feature | CueSync | Manual Timecoding |
|---|---|---|
| Setup Time | Minutes (configure once, reuse) | Hours per show |
| Adapts to Live Changes | Real-time — follows tempo changes, live mixing | Breaks if the set changes |
| Beat Accuracy | <15ms latency | Depends on operator speed |
| Requires Pre-Programmed Tracks | ||
| Works with Improvised Sets | ||
| Timecode Output | LTC, MTC, Art-Net, sACN, TCNet | Requires external generator |
| Cost per Show | Fixed subscription | Operator labor hours |
| Consistency | Identical reaction every time | Varies with operator |
Why Teams Choose CueSync
Hours Saved Per Show
A typical manually timecoded show takes 4-8 hours of pre-production. CueSync's audio analysis works in real time — set up your cue mappings once and reuse them.
Live Adaptability
Manual timecode breaks when the DJ changes the set or the band goes off-script. CueSync follows the actual audio — tempo changes, key changes, and improvisation are handled automatically.
Superhuman Reaction Time
Even the best operator can't consistently react in under 100ms. CueSync's beat detection runs at under 15ms — faster than human perception.
Best of Both Worlds
CueSync doesn't replace manual control — it augments it. Use real-time automation for reactive moments and manual cues for scripted ones. The Ultimate edition combines both workflows.
Common Questions
Have more questions? Contact us
Ready to Automate Your Stage?
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