Looking at QLC+? Here is what CueSync does
CueSync reads the music, or a show's timecode, and fires cues on the console, media server and show-control software that own the rig. This page is about CueSync only: what it does for that job, what it needs, and when it is not the right fit.
What CueSync does
For the job: music-driven cues for a lighting rig.
Your own files, analysed on your Mac
Local Audio plays your audio files, and CueSync works out the beat grid, phrases, energy, key and loudness on your own machine, with nothing uploaded. Track Prep analyses a whole library in one run and can turn the analysis into suggested cues for you to review.
Editions: DJ · Production
Cues that wait for the music
A cue can wait for a phrase change, an energy band, a fill or the DJ's hot cue press, and fire when the track gets there. Cues are checked in order, so the cue you expect next goes at the top of the stack. On your own files these cues use CueSync's analysis; on a Pioneer deck, phrase cues read the phrase map rekordbox wrote to the stick, which has not yet been checked on a CDJ-3000.
Editions: DJ · Production
One cue, the whole rig
One cue can hold a console command, a media-server command, a MIDI message and an audio clip, so a single press fires the whole moment. CueSync ships 15 output protocols — grandMA2 (Telnet), grandMA3 (TCP and UDP OSC), Avolites Titan, ETC Eos, ChamSys MagicQ, Resolume, disguise, VIOSO, Pixera, TouchDesigner, Unreal Engine 5, QLab (TCP and UDP), MIDI Show Control, Pangolin Beyond and Custom OSC — of which grandMA3, QLab, Resolume and Unreal Engine 5 (in-engine, on our own project) have been run against the real program or console, and the rest are built to each maker's published interface and have not yet been run against that equipment, so fire your cues on your own rig before a show.
Editions: Every edition
Any button can be GO
An incoming MIDI note can fire the next cue in your stack. In Theatre and Production an OSC message can too, and a MIDI GO note can call a Theatre show, so a button box, a controller or another program can be your GO. OSC input ships switched off: set a listening port first.
Editions: Every edition (OSC input: Theatre · Production)
A timeline for a scripted show
The Show Editor lays your audio out as a running order of Parts on one show-wide timecode, with a lane for each department. Edits snap to frames, beats or phrase boundaries, the audio's own sections and energy sit under the cues, and the capture bar punches a labelled cue at the playhead from the number keys while the audio plays.
Editions: Theatre · Production
A room's rig, saved
A venue profile saves a room's outputs and the role each one plays, so one show drives a big rig at one club and a modest one at the next. When CueSync recognises a room it suggests the profile; it never switches one on by itself.
Editions: Every edition
DMX over the network, in beta
Art-Net and sACN output sends DMX to a network node when a cue fires. The route CueSync is built for is a console it drives in the console's own protocol.
Editions: Every edition
Before you decide
What you need
- A Mac with Apple Silicon and macOS 12 or later. CueSync does not run on an Intel Mac, and there is no Windows build.
- DJ or Production for music-driven cues; Theatre or Production for the Show Editor. Every edition connects to every output.
- Something programmed for CueSync to trigger: a console, a media server or show-control software. CueSync drives the desk, and the desk owns the rig.
- An account. Without a subscription you can run the demo show and tour the app in read-only mode. Building and saving your own shows, and connecting real outputs, need a subscription.
When CueSync is not the right fit
- You need it on Windows or on an Intel Mac. There is no Windows build, and CueSync does not run on an Intel Mac.
- You want software to light fixtures directly, with no console in the rig. CueSync is built first to trigger a programmed console; its own DMX output is Art-Net and sACN, so fixtures connect through a network node.
- You need software whose source you can read and change. CueSync is a commercial application, and its source is not published.
Common Questions
Have more questions? Contact us
Last reviewed . This page describes CueSync only and makes no claim about any other product. If anything here about CueSync is out of date, tell us at contact@cuesync.live and we will correct it.
Competitor product names and marks on this page are the property of their respective owners and are used only to identify their products. CueSync is not affiliated with or endorsed by them. This page is the opinion of its author as of October 2026, based on CueSync's own documentation.
Ready to Automate Your Stage?
Download CueSync free and run the built-in demo show — press Space and its cues fire against simulated outputs, no hardware required. Subscribe when you're ready to drive a real rig.